Indie filmmaker Bigfoot has an inside track to theater
Wed, 10/06/2010 - 03:00 EDT - LA Times
Bigfoot Entertainment, which makes movies and TV shows for international markets, recently bought the Majestic Crest in Westwood. The firm plans to screen mostly mainstream releases and showcase its own films. Most independent filmmakers are lucky if they can get their movies in theaters.
Veteran independent cinemas are losing customers to major chains booking more specialty films and new high-end theaters offering a mix of movies along with premium services.The day before Laemmle Theatres closed its Sunset 5 last month, patrons and filmmakers showed up at the West Hollywood movie house to share their memories of one of L.A.'s most popular art house cinemas.
As Baghdad writhed with violence in 2006, Emad Ali set out to make a film about the iconic Shabandar Cafe. But he turned the camera on himself after the teahouse was bombed, a deadly mortar killed his wife and a gunman shot him three times.Despite the ordeals, he finished "A candle for the Shabandar Cafe," screening it for the first time in Iraq at this month's Documentary Film Festival in Baghdad, organised by the capital's struggling, non-governmental Independent Film and Television College to showcase student films made between 2004 and this year.
Loyal reader Lewis Lehe writes to ask about how economics is explained in popular media.
Are there any films/videos/pieces of visual media that show "the unseen" well? Films can only depict a few characters or places, so they tend to underweight benefits that are spread across large groups. Roger and Me is a fine example: we can see the devastation of Flint, but it would be difficult to see the gains from comparative advantage--i.e. returns to shareholders, slightly cheaper cars for consumers and so forth...
By Soundview Technology Group:
Summary
Cinedigm (CIDM) enters 2013 with one of the largest independent film content libraries and a stream of upcoming new releases. This year the company will shift its content business from "investment mode" to "harvest and invest" mode. This dynamic will help increase revenue growth and expand margins.
Edward Jay Epstein, The Hollywood Economist, has a good post on the economics of movies and television and how this has contributed to a role reversal: